Artistic Finance

193: America The Beautiful (Except The Financial Setup for Freelancers) with Jane Cox (Part 2 of 2)

Part two of the conversation with Broadway lighting designer Jane Cox.
 
Topics:
⭐️ Keeping overhead low
⭐️ Paying theatre designers hourly 
⭐️ Penny Remsen - Jane’s lighting mentor
⭐️ Paying for assistants / drafting out of the design fee
⭐️ Two recent design fees - one for an opera, one for an off Broadway musical
 
Video Version
https://youtu.be/1qBXKh3-QfM
 
Artistic Finance
https://linktr.ee/artisticfinance
 
False Steps - Off-Broadway Play
https://www.falsestepscomedy.com/
 
Jane Cox
https://janecoxlight.squarespace.com/
https://www.ibdb.com/broadway-cast-staff/jane-cox-115195
 
Sam Pinkleton
https://sampinkleton.com/
 
Stacey Derosier 
https://www.staceyderosier.com/
 
Accountants for Theatre Artists
https://www.artisticfinance.com/resources.html
 
Planned Parenthood
https://www.plannedparenthood.org/donor-services
 
The Watershed
https://thewatershed.org/donate/
 
Roundabout Workforce Development Program
https://www.roundabouttheatre.org/education/career-training/theatrical-workforce-development-program
 
1/52 Project
https://www.oneeveryfiftytwo.org/
 
Tech 25 in Pittsburgh (Jordan Gilliam)
https://www.tech25.org/
Website temporarily down as of July 2025
 
Brighter Boston (Aja Jackson)
https://www.brighterboston.org/
 
Design Action
https://www.design-action.com/
 
LA Opera
https://laopera.org/
 
Teeth The Musical
https://teeththemusical.com/
 
Playwrights Horizons
https://www.playwrightshorizons.org/
 
Elsa Hiltner's Designer Pay Resource
https://docs.google.com/spreadsheets/d/1myTM4B4VGfv21iJovNLYiIopUtsDClzSGLsFOsAZHi4/edit?gid=0#gid=0
 
Penny Remsen
https://www.umass.edu/theater/about/directory/penny-remsen
https://www.linkedin.com/in/penny-remsen-1b53b8a/
 
Ben Stanton
https://benstanton.com/
 
Justin Townsend
https://www.ibdb.com/broadway-cast-staff/justin-townsend-117237
 
Brian MacDevitt
https://www.ibdb.com/broadway-cast-staff/brian-macdevitt-25766
 
NYU Graduate Design School
https://tisch.nyu.edu/design
 
University of Massachussets Amherts
https://www.umass.edu/theater/
 
Jane Cox is a theater maker, an educator and a lighting designer working in theater, opera, dance and music. Jane won a Tony, a Drama Desk and the Henry Hewes award in 2024 for her lighting for Appropriate, and has three Tony nominations for Macbeth (‘22), Jitney (‘17) and Machinal (‘14). Her creative career has been built on relationships; some of the extraordinary theatrical artists who have shaped her creative life include Ruben Santiago-Hudson, John Doyle, Elise Thoron, Shariffa Ali, Caitríona MacLaughlin, Sam Pinkleton, Branden Jacobs-Jenkins, Stacey Derosier and Sam Gold. Jane is also inspired by her brilliant students and young alumni
 
Recent designs include a co-design for Michael R Jackson and Anna K Jacob’s Teeth with Stacey Derosier; Donnacha Dennehy’s Land of Winter at the Irish Arts Center; The Weir at the Abbey Theater in Dublin (her home town); Felon: An American Washi Tale; and The Marriage of Figaro, Cosi and Don Giovanni at San Francisco Opera. Upcoming projects include Marina Carr’s new trilogy at the Abbey in Dublin and the Rocky Horror Show on Broadway.
 
Other highlights have been co-organizing and hosting the 2023 symposium and creative convening The Future of Race in Design at the Park Avenue Armory with Branden Jacobs-Jenkins, Mimi Lien and Mikaal Sulaiman; organizing a series of events with returning citizens in conjunction with performances of Felon: An American Washi Tale by Reginald Dwayne Betts; working with the engineer Naomi Leonard, composer Dan Trueman and co-designer Tess James on Rhythm Bots, a project investigating collective motion and rhythmic connection with robots; and receiving a Distinguished Achievement Award from USITT in 2025.
 
Jane has been a member of the Monica Bill Barnes dance company for more than twenty years and has been working with fellow lighting designer Tess James in many capacities for fifteen. She is a Professor of the Practice and Director of the Program in Theater and Music Theater at Princeton University, where she is also the co-director for the Fund for Irish Studies and a member of CreativeX. She is married to brilliant conceptual artist Evan Alexander and they have a fantastic teenage daughter who so far shows no interest in going into theatre.
 
Instagram Handles
@janecoxlight
@ethansteimel
@nicolevsteimel

192: America The Beautiful (Except the Financial Setup for Freelancers) with Lighting Designer Jane Cox

Lighting designer Jane Cox discusses life as a freelance theatre designer who has also taken on some full time academic work.
 
Topics:
⭐️ Parenting while working in the arts
⭐️ Paying student loans with a credit card
⭐️ Prioritizing the needs of the community above the market rate 
⭐️ The financial system working against theatre design as a career
⭐️ Jane’s tax rate as a freelancer nearing 50%, and having it lower once she started working a full time W2 job.
 
Video Version
https://youtu.be/jA1IOCWmHFs
 
Artistic Finance
https://linktr.ee/artisticfinance
 
Jane Cox
https://janecoxlight.squarespace.com/
https://www.ibdb.com/broadway-cast-staff/jane-cox-115195
 
Appropriate
https://en.wikipedia.org/wiki/Appropriate_(play)
 
Linda Essig
https://www.artisticfinance.com/147.html
 
Penny Remsen
https://www.umass.edu/theater/about/directory/penny-remsen
https://www.linkedin.com/in/penny-remsen-1b53b8a/
 
Irish Session
https://en.wikipedia.org/wiki/Irish_traditional_music_session
 
Cory Pattak's Podcast
https://in1podcast.com/
 
Light Talk Podcast
https://lighttalk.libsyn.com/
 
NYU Graduate Design School
https://tisch.nyu.edu/design
 
University of Massachussets Amherts
https://www.umass.edu/theater/
 
Clifton Taylor
https://cliftontaylor.com/
 
Jennifer Tipton
https://en.wikipedia.org/wiki/Jennifer_Tipton
 
False Steps - Off-Broadway Play
https://www.falsestepscomedy.com/
 
Jane Cox is a theater maker, an educator and a lighting designer working in theater, opera, dance and music. Jane won a Tony, a Drama Desk and the Henry Hewes award in 2024 for her lighting for Appropriate, and has three Tony nominations for Macbeth (‘22), Jitney (‘17) and Machinal (‘14). Her creative career has been built on relationships; some of the extraordinary theatrical artists who have shaped her creative life include Ruben Santiago-Hudson, John Doyle, Elise Thoron, Shariffa Ali, Caitríona MacLaughlin, Sam Pinkleton, Branden Jacobs-Jenkins, Stacey Derosier and Sam Gold. Jane is also inspired by her brilliant students and young alumni
 
Recent designs include a co-design for Michael R Jackson and Anna K Jacob’s Teeth with Stacey Derosier; Donnacha Dennehy’s Land of Winter at the Irish Arts Center; The Weir at the Abbey Theater in Dublin (her home town); Felon: An American Washi Tale; and The Marriage of Figaro, Cosi and Don Giovanni at San Francisco Opera. Upcoming projects include Marina Carr’s new trilogy at the Abbey in Dublin and the Rocky Horror Show on Broadway.
 
Other highlights have been co-organizing and hosting the 2023 symposium and creative convening The Future of Race in Design at the Park Avenue Armory with Branden Jacobs-Jenkins, Mimi Lien and Mikaal Sulaiman; organizing a series of events with returning citizens in conjunction with performances of Felon: An American Washi Tale by Reginald Dwayne Betts; working with the engineer Naomi Leonard, composer Dan Trueman and co-designer Tess James on Rhythm Bots, a project investigating collective motion and rhythmic connection with robots; and receiving a Distinguished Achievement Award from USITT in 2025.
 
Jane has been a member of the Monica Bill Barnes dance company for more than twenty years and has been working with fellow lighting designer Tess James in many capacities for fifteen. She is a Professor of the Practice and Director of the Program in Theater and Music Theater at Princeton University, where she is also the co-director for the Fund for Irish Studies and a member of CreativeX. She is married to brilliant conceptual artist Evan Alexander and they have a fantastic teenage daughter who so far shows no interest in going into theatre.
 
Instagram Handles
@janecoxlight
@ethansteimel
@nicolevsteimel

191: 6k Investing Special - Q4.0

An update on the $6,000 of investments we made in May of 2021.
 
Four lighting designers and a bond investment CEO review how our investments compare to the S&P 500.
 
Video Version
https://youtu.be/_hiXSC5HY6A
 
Artistic Finance
https://linktr.ee/artisticfinance
 
False Steps: A Ballroom Comedy
https://www.falsestepscomedy.com/
 
ETFs:
IVV - iShares Core S&P 500
 
Stocks:
VST - Vistra Corp
LAC - Lithium Americas
TAP - Molson Coors Beverage (owners of Blue Moon)
SKLZ- Skillz
 
Cryptocurrency:
Bitcoin
 
Wine:
Vinovest
 
Real Estate - REITS:
REG - Regency Centers Corp -Previously UBA
SRG - Seritage Growth Properties
VICI - Experiential Real Estate - Previously MGM Properties
STAG - STAG Industrial
 
Art:
Bret Slater - Artist
https://www.bretslater.com/ 
https://www.patreon.com/posts/64295618
 
VTSAX - Total USA Stock Market Index Fund
https://finance.yahoo.com/quote/VTSAX/
 
Coinbase - COIN
https://finance.yahoo.com/quote/COIN/
 
Masterworks
https://www.masterworks.com/
 
Bridget Riley
https://en.wikipedia.org/wiki/Bridget_Riley
 
Kroger - KR
https://finance.yahoo.com/quote/KR/
 
Nvidia - NVDA
https://finance.yahoo.com/quote/NVDA/
 
Daktronics - DAKT
https://finance.yahoo.com/quote/DAKT/
 
Maithreyi Gopalakrishnan:
https://www.linkedin.com/in/maithreyi-gopalakrishnan/
https://www.liquidificorp.com/
 
Ebony Madry:
https://www.instagram.com/ebmadry/?hl=en
https://www.linkedin.com/in/ebony-madry-6a9651139/
 
Amy D Lux:
https://www.linkedin.com/in/amy-d-lux-953a7318a/
https://utopiadreamscape.com/author/luvlogica/
 
Gary Archer
https://www.linkedin.com/in/gary-archer-31482933/
https://www.instagram.com/lightdesign2020/
 
Ethan Steimel
https://www.linkedin.com/in/ethansteimel/
https://www.instagram.com/artisticfinance/?hl=en
 
Instagram Handles
@ebmadry
@liquidifi
@officialamydlux
@lightdesign2020
@ethansteimel
@artisticfinance
 

190: Tracking Hourly Pay As Theatre Designers with Set Designer Vincent Gunn

Set designer Vincent Gunn talks about the benefits of tracking the hours that you work.
 
Topics:
⭐️ Valuing your time 
⭐️ Investing the money in your retirement account
⭐️ Writing things down and getting them out of your head
⭐️ Designers thinking about work even when they’re not at work
 
Video Version
https://youtu.be/g1BZrnh3l7A
 
Artistic Finance
https://linktr.ee/artisticfinance
 
Vincent Gunn
https://www.vincentgunn.com/
https://www.linkedin.com/in/vincent-gunn-3a45aab2/
https://www.instagram.com/vincentgunndesign/?hl=en
 
Hours Tracker
https://docs.google.com/spreadsheets/d/1P-ujmcgDcdZYxW78hqBa3HgiBdlI0gGK0LGG2RoNZqw/edit?usp=sharing
 
NEA Budget Cut Tracker
https://docs.google.com/spreadsheets/d/1cHCTXssMWuMweRLUjGQKtsck_rg7v4tMg7cpfzDQil8/htmlview?fbclid=PAZXh0bgNhZW0CMTEAAaeulUJ--0GngJ37kmfk-9enz2w9TczbBkJ8hs4U-ZuBgeaGYyF4TCzLnnQi4Q_aem_6SEys-aWiD8H-wxOGseuWw%23gid%3D0
 
Liability Insurance for Lighting Folx
https://www.artisticfinance.com/136.html
 
Liability Insurance for Performers
https://www.artisticfinance.com/141.html
 
Vincent (he/him) is a New Jersey based Scenic Designer. He has designed shows for various theatre companies in the New York area and beyond including York Theatre Company, Centenary Stage Company, Vanguard Theater Company, St. Bart's Players, Stella Adler Studio of Acting, Post Theatre Company, the Metropolitan Playhouse, the New London Barn Playhouse, and various educational venues. He has assisted designers on productions at venues such as The New York Philharmonic, LABrynth Theater Company, Irish Repertory Theatre, Jazz at Lincoln Center, Roundabout Black Box, BAM Fisher, La Mama ETC and INTAR. Vincent has a B.A. in Theatre Design and Production from Fordham University. vincentgunn.com @vincentgunndesign
 
Instagram Handles
@ethansteimel
@nicolevsteimel
@vincentgunndesign
 

189: Work Life Balance As A Theatre Designer in Chicago with Jason Lynch

TheatrIcal lighting designer Jason Lynch talks about freelancing in Chicago. 
 
Topics:
⭐️ LLCs
⭐️ Estate Sales
⭐️ Keeping our humanity
⭐️ Investing in the S&P 500
⭐️ Some of Jason’s recent design fees
⭐️ Moving to a big theatre city, that’s not New York
 
Video Version
https://youtu.be/y5PApxbBG_I
 
Artistic Finance
https://linktr.ee/artisticfinance
 
Jason Lynch
https://www.jasondlynch.com/
https://www.linkedin.com/in/jasondlynch/
https://www.instagram.com/jasonlynch.design/
 
Vehicle Expenses Tracker
https://docs.google.com/spreadsheets/d/1kDb48wLKWWnkGigyu52tYYGWRHDV2h-Ai7AizNCrtb8/edit?fbclid=PAZXh0bgNhZW0CMTEAAaZh7dkkg9Htl1oE4M46Emo-Cw8yEahk7n90sRBCDy5R32W5D1xbTHSjvYI_aem_adKVVnGYaIN_xPS6bS21wQ&gid=1052323773#gid=1052323773
 
IRS.gov
https://www.irs.gov/
 
Lynn Nottage - "Why I'll Never Make It" Interview
https://broadwaypodcastnetwork.com/podcasts/why-i-ll-never-make-it/lynn-nottage-writes-through-some-of-life-s-hardest-moments/366
 
SPY
https://finance.yahoo.com/quote/SPY/
 
Arrived - Real Estate Investing
https://arrived.com/
 
Lofty - Real Estate Investing
https://www.lofty.ai/
 
OSF - Oregon Shakespeare Festival
https://www.osfashland.org/
 
Indiana Rep
https://www.irtlive.com/
 
Estate Sales
https://www.estatesales.net/
 
JASON LYNCH is a Chicago-based lighting designer for theatre, dance, opera, and other live performance art.
Regional: Alley Theatre, Alliance Theatre, Baltimore Center Stage, Berkeley Repertory Theatre, Chicago Shakespeare Theater, City Theatre Company, Dallas Theater Center, Denver Center Theatre Company, George Street Playhouse, Geva Theatre Center, Goodman Theatre, Goodspeed Musicals, Huntington Theatre Company, Indiana Repertory Theatre, Kansas City Repertory Theatre, Long Wharf Theatre, Milwaukee Repertory Theater, Northlight Theatre, Oregon Shakespeare Festival, Repertory Theatre of St. Louis, Seattle Repertory Theatre, Steppenwolf Theatre, The Old Globe, Trinity Repertory Company, among others. 
Lynch was also the recipient of the 2022 Equity Jeff Award for his work on Choir Boy at Steppenwolf Theatre and the 2019 Michael Maggio Emerging Designer Award, which recognizes emerging theatrical designers within the Chicago area. Jason is represented by United Scenic Artists, Local USA-829 of the IATSE and The Gersh Agency. jasondlynch.com, @jasonlynch.design
 
Instagram handles:
@jasonlynch.design
@ethansteimel
@nicolevsteimel
 

188: Finances As A Projection Designer with Sven Ortel

Projection designer Sven Ortel talks about career finances.
 
Topics:
⭐️ Being persistent 
⭐️ Insisting you get credit for your work
⭐️ Organizing your taxes and writing it down
⭐️ Separating the production budget from the design budget
 
Video Version
https://youtu.be/YDxUvU-in4U
 
Artistic Finance
https://linktr.ee/artisticfinance
 
Sven Ortel
https://www.svenortel.com/
https://www.linkedin.com/in/svenortel/
https://www.instagram.com/svenortel/
 
Is the credit "Projection Design" or "Video Design?"
https://www.projctn.com/about-projection-design
 
Projection Design Costs
https://www.projctn.com/projection-design-costs
 
Trudy C Durant
https://tcdurant.com/home.aspx
 
Notion
https://www.notion.com/
 
Caite Hevner Episode
https://www.artisticfinance.com/93.html
 
Since 2000, Sven Ortel has been exploring and advancing the use of imagery and projection in the live arts. His primary interest is how digital and emerging technologies can create engaging narrative experiences. He is particularly drawn to complex scenic and production design challenges that place live audiences at the center of the experience, and he enjoys collaborating with other experts and creatives.
 
Originally from Cologne, Germany, Sven earned his BA in Lighting Design in London, where he designed media for Simon McBurney’s seminal production of *Measure for Measure* at the National Theatre in 2004. He then created many projection designs for opera, dance, musicals, and plays across Europe and eventually in the US. In 2012, he was nominated for a Tony Award for his work on Disney’s *Newsies*. In 2014, he received a Drama League nomination for his designs in Julie Taymor’s *A Midsummer Night's Dream* at the Polonsky Shakespeare Center in Brooklyn.
 
Notable recent projects include NHKS4220 at New York’s Artechouse, *Thoughts of a Colored Man* (Broadway, Drama Desk nomination), *Parade* (Broadway, Outer Critics Circle nomination and winner of Best Revival of a Musical), and *Once Upon a One More Time* (Broadway), as well as the multimedia installation *Lamentations at Liesbeck*, which premiered at Mesa’s Mix Center.
 
Sven always seeks innovative ways to tell stories through media and create cohesive visual environments that fully engage live audiences.
 
He has worked at public research universities for the past ten years, focusing on educating the next generation of designers, artists, and thought leaders. His work in academia focuses on adapting effective creative processes prevalent in the performing arts, particularly projection design, to address the design challenges found in other live experiences, especially in emerging forms of rich media like immersive and XR productions. This research is central to his role as a professor of practice in immersive and entertainment design at Arizona State University and as a faculty member at Mesa's innovative multidisciplinary Mix Center.
 
Outside of his professional work, Sven is a passionate landscaper dedicated to restoring and stewarding the land. He also loves camping, running, hiking, and mountain biking—more info at svenortel.com or linked-in.
 
Instagram Handles
@svenortel
@ethansteimel
@nicolevsteimel

187: Designer Pay & Transparency - Broadway, Off Broadway, and West End with Isabella Byrd

Discussing designer pay and transparency with Broadway, Off-Broadway, and West End lighting designer Isabella Byrd. 
 
Topics:
⭐️ Dealing with the IRS
⭐️ Union pension, healthcare, and the union ledger
⭐️ Commercial theatre fees (aka Broadway) versus off-Broadway fees (aka non-profit theatre)
⭐️ CDs, as in Certificates of Deposit
 
Video Version
https://youtu.be/HJ1wBWuLwKQ
 
Artistic Finance
https://linktr.ee/artisticfinance
 
Isabella Byrd
https://www.isabellabyrd.design/
https://www.ibdb.com/broadway-cast-staff/isabella-byrd-527907
 
Drift
https://studiodrift.com/work/drifter/
 
The Shed
https://www.theshed.org/?gad_source=1&gclid=CjwKCAjwvr--BhB5EiwAd5YbXqw-o1AZJ4K0bhxLrH613ZH2yPapTv6-Lw54hGG-7dZ_7bVzULR3pBoC8hkQAvD_BwE
 
Death Sex And Money - Podcast
https://slate.com/podcasts/death-sex-money
 
Zenith American - USA 829 Benefits Hub
https://www.zenith-american.com/
 
USA 829
https://www.usa829.org/Membership-Info/Benefit-Funds
 
CD Rates - Bask Bank
https://www.baskbank.com/products/certificates-of-deposit
 
Entertainment Community Fund
https://entertainmentcommunity.org/services-and-programs/financial-wellness-0
 
In 1: The Podcast - hosted by Cory Pattak
https://in1podcast.com/
 
Instagram Handles
@isabelllaa
@ethansteimel
@nicolevsteimel

5th Anniversary & Casting Notice - Bonus Episode

Today is the 5th anniversary of Artistic Finance. A quick thank you to mark the occasion and announcing a non-AEA casting notice for NYC!

186: Commercial Theatre Business - Fees, Contracts and Copyright with Beverly Emmons

Broadway lighting designer Beverly Emmons discusses commercial theatre practices for designers.
 
Topics:
⭐️ Adding riders onto your contract
⭐️ Theatre Law which aims to protect investors’ money
⭐️ W2 and 1099 and how that impacts copyright for designers
⭐️ The history of the theatre design union - United Scenic Artists
⭐️ Those union contracts, what they protect, and how they’re helpful for expediting theatre negotiations because so many things are spelled out already, so there isn’t need for a lot of negotiation.
 
Video Version
https://youtu.be/t8rVQO00IjE
 
Extended Interviewhttps://www.patreon.com/posts/124372571
 
Artistic Finance
https://linktr.ee/artisticfinance
 
Beverly Emmons
https://performingartslegacy.org/emmonsbeverly/
https://www.linkedin.com/in/beverly-emmons-57339135/
https://www.ibdb.com/broadway-cast-staff/beverly-emmons-25645
 
The Lighting Archive
https://thelightingarchive.org/
 
Don Holder Interview
https://www.youtube.com/watch?v=YXHdU1JVmRE&t=34s
 
Ken Billington Interview
https://www.youtube.com/watch?v=cuojA4i6y5c
 
Jules Fisher
https://www.ibdb.com/broadway-cast-staff/jules-fisher-7001
 
Kermit Blumgarden - producer
https://www.ibdb.com/broadway-cast-staff/kermit-bloomgarden-14214
 
Ted Mann - producer
https://www.ibdb.com/broadway-cast-staff/theodore-mann-15532
 
Broadway Grosses
https://www.broadwayleague.com/research/grosses-broadway-nyc/
 
Atlantic Theatre joins IATSE
https://deadline.com/2025/03/atlantic-theater-iatse-1236348882/
 
Theatre Lighting in the Age of Gas
https://archive.org/details/theatrelightingi0000rees/page/n9/mode/2up
 
Broadway Theatre Manager - Peter Bogyo
https://bookshop.org/a/86693/9781621536246
https://bookshop.org/a/86693/9781621536253
(affiliate link)
 
USA 829
https://www.usa829.org/
 
Instagram Handles
@bemmonsld12gmail
@ethansteimel
@nicolevsteimel

185: There's No Special Formula To Get To Broadway with Alvin Hough Jr

Alvin Hough Jr, who’s currently the associate music director of The Lion King on Broadway, talks about career finances and a few things about musical theatre musicians.
 
Topics:
⭐️ Dollar pizza
⭐️ Being a saver, not a spender
⭐️ Living off per diem while touring
⭐️ Rehearsal call versus a performance call
⭐️ Rates of pay for different numbers of instruments
⭐️ The differences between the piano and the keyboard
⭐️ Working a double, in musician speak, and what that means for your pay scale.
⭐️ The importance of family and Alvin investing early on, on the advice from an aunt
 
Video Version
https://youtu.be/J9Gjb5o_h7E
 
Artistic Finance
https://linktr.ee/artisticfinance
 
Alvin Hough Jr
www.alvinhoughjr.com
https://www.instagram.com/alvinhoughpiano/
https://www.ibdb.com/broadway-cast-staff/alvin-hough-493607#broadway
 
Believe NYC
https://believe-nyc.com/
 
Arts for Autism
https://www.artsforautism.net/
 
Randy Cohen - Keyboard Programmer
https://www.ibdb.com/broadway-cast-staff/randy-cohen-454486
 
NYMF
https://en.wikipedia.org/wiki/New_York_Musical_Theatre_Festival
 
The Lion King on Broadway
https://lionking.com/
 
Avioms - In Ear Mixing
https://www.aviom.com/AviomProducts/
 
ALVIN HOUGH, JR. Alvin is a pianist, conductor and arranger in New York City. He is currently the Associate Music Director of Disney’s The Lion King on Broadway and was the Associate Music Supervisor of Merrily We Roll Along, featuring Daniel Radcliffe, which closed this past July aEer winning the Tony for Best Revival. Alvin is the Music Supervisor of the current 2nd NaHonal Tour of Tina: The Tina Turner Musical, and he has also worked on numerous films and TV series, from “Schmigadoon 2” and “Spirited” to “Annie Live!” and the South Park 25th anniversary commercials. Classically trained by a private teacher from the age of 5, Alvin has had the privilege of performing at the Kennedy Center, the Capitol and the White House while growing up in Washington, DC. One of the more important things Alvin likes to share is that there is no special formula to end up on Broadway. As proof, even though he's currently not using them, Alvin has a Bachelor’s from Harvard College in Earth and Planetary Sciences and a Master’s in Meteorology from the Georgia InsHtute of Technology. He sends love to his wife, Rebecca, and their two young children, Samuel (7) and Camille (6). www.alvinhoughjr.com
 
Instagram Handles
@alvinhoughpiano
@ethansteimel
@nicolevsteimel